A Mary Colter Weekend, Part I

What could inspire some 150 people to travel from Arizona, Pennsylvania and other parts to Santa Fe? Well, plenty of things, when you think about. Mountains, art, great food, a unique mix of cultures. But this weekend, for these particular 150-some people, it was the memory of Mary Elizabeth Jane Colter.

An 1893 portrait of Mary Jane Colter by Arthur Mathews,  one of her professors. Photo by Tom Alexander, courtesy of the Pioneer Museum, Flagstaff, and the Arizona Historical Society.

An 1893 portrait of Mary Jane Colter by Arthur Mathews, one of her professors. Photo by Tom Alexander, courtesy of the Pioneer Museum, Flagstaff, and the Arizona Historical Society.

Starting Friday evening and continuing through Saturday, experts on the life and times of the Fred Harvey Co.’s “starchitect” are rubbing shoulders and ideas with railroad buffs, fans of history and an admirably large number of Harvey family members.

The event is co-sponsored by the New Mexico History Museum and La Fonda on the Plaza, one of the hotels where Colter left her design mark — along the way developing a version of Southwest style that lives today. The event is a fund-raiser for the History Museum, and we’re gratified to say, we’re sold out.

We began with a reception in the New Mexico room of La Fonda, where margaritas, tortillas and guacamole held court and folks started getting acquainted. A few glimpses:

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Beyond food and conversation, we took note of the exquisite architectural details, like this eagle carved into a viga:

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And this ceiling lamp:

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Our generous sponsors then retired to the Santa Fe Room — the one room in La Fonda that retains about 90 percent of Colter’s original arts-and-crafts-meets-Native-American style — for dinner. Architect Barbara Felix delivered an amuse bouche of what participants will learn when our speakers hold court on Saturday. A Santa Fe architect, Felix oversaw the renovation of La Fonda’s restaurant, La Plazuela, taking care to restore what she could of Colter’s original intent for a room that, in her time, was an open-air plaza.

fireplaceAmong the difficulties that Felix encountered was the discovery that not all of Colter’s efforts were as solid and lasting as the sculpted terra-cotta mantels of German artist Arnold Ronnebeck, from whom she commissioned several pieces still inside the hotel.

Instead, some were piled in a storage room, where more than a few La Fonda honchos think they should stay. Not quite as well-made, they nevertheless held the charm of hand-crafted items, like the hanging lamp with hand-painted glass panels and an iron ashtray shaped like an antelope.

“It’s a little crude,” Felix said of the lamp. “It’s a little whimsical. It’s a little folk-arty.”

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And then there was…this metal palm tree to the right of Felix.

Before the event, as a worker wheeled it into the banquet room, one hotel employee sighed in apparent disappointment. But for those of us who troll eBay and Craigslist, it was a find like no other.

Kind of like Mary Colter.

Starting at 10:30 am Saturday, we’ll learn more about her many legacies, which include the magical buildings along the south rim of the Grand Canyon, Phantom Ranch at its bottom, and the onetime grand interior of Los Angeles’ Union Station. Speakers include Colter biographer Arnold Berke; Harvey biographer Stephen Fried; and Felix.

We’ll keep you posted with updates throughout the day. If you can’t attend, don’t despair. In honor of the event, we added items from the Fred Harvey legacy to our display in the museum’s Mezzanine level, including a Collier magazine ad urging readers “Let’s eat with the Harvey boys”; a meal ticket; and a poster of the Harvey Co.’s Indian detours.

We hope you’ll come visit.

Beyond the Marlboro Man

When we think of the American West, our minds tend to conjure images of gunfighters, Indian wars and cattle barons. If we think of women at all, it’s most likely a saloon girl or Calamity Jane.

Historians know that’s hardly the distaff story of the West. From Native women who oversaw corn production and the building of adobe homes to Hispanic weavers, artists and property owners, to Anglo businesswomen, physicians and environmental stewards, the female side of the story of the West too often seems to fade into the Victorian wallpaper.

Up to now, that is.

Spanish American Woman plastering, Chamisal, New Mexico, photograph by Russel Lee, 1940. Courtesy Library of Congress, Prints and Photographs Division, LC-USF33-012823-M5

Spanish American Woman plastering, Chamisal, New Mexico, photograph by Russel Lee, 1940. Courtesy Library of Congress, Prints and Photographs Division, LC-USF33-012823-M5

This summer, the New Mexico History Museum begins filling in the historical gaps with four exhibitions focused on women past and present. Let’s round ’em up:

1. Home Lands: How Women Made the West, June 19-Sept. 11, a traveling exhibition from the Autry National Center in Los Angeles, features additional materials from the History Museum’s collections. The largest of the summer’s four exhibits, it sweeps across the centuries in three regions: the Rio Arriba of northern New Mexico; Colorado’s Front Rage; and the Puget Sound.

Evelyn Fite Tune, a longtime rancher outside Socorro, NM. Photo by Ann Bromberg, courtesy Palace of the Governors Photo Archives.

Evelyn Fite Tune, a longtime rancher outside Socorro, NM. Photo by Ann Bromberg, courtesy Palace of the Governors Photo Archives.

2. Ranch Women of New Mexico, April 15-Oct. 30 in the Mezzanine Gallery, highlights 11 women in this excerpt from an exhibit originally prepared by photographer Ann Bromberg and writer Sharon Niederman.

3. New Mexico’s African American Legacy: Visible, Vital, Valuable, May 15-Oct. 9 in the second-floor Gathering Space, tells the stories of the families who planted their roots and created a home in the Land of Enchantment following the Civil War.

4. Heart of the Home, May 27-Nov. 20 in La Ventana Gallery, spotlights historic kitchen items from the History Museum’s collections.

(Yes, they open at different times; that’s a reality of what it takes to mount an exhibition.)

“Since its opening in 2009, the New Mexico History Museum’s exhibits have included the stories of men, women and children – a conscious effort on our part to broaden the telling of history,” said museum director Frances Levine. “This summer’s exhibits highlight that commitment by focusing squarely on the contributions made by women that don’t begin and end with popular Western stereotypes.”

So you won’t find Miss Kitty or Calamity Jane or even Santa Fe’s own legendary madame, Dona Tules, in any of the exhibits. Instead, their shared focus is the universal desire to set down roots and create that place called “home.” That seemingly simple act is “a potent way of changing the world,” say Home Lands curators Virginia Scharff and Carolyn Brucken. Home Lands puts women at the center of that focus for a simple reason, the women write in their companion book: “Seeing women in history makes history look different.”

Among the women you will see in the exhibits:

Fabiola Cabeza de Baca in front of New Mexican schoolhouse, photographer and date unknown. Fabiola Cabeza de Baca Gilbert Photograph Collectioon, Center for the Southwest Research, University of New Mexico

Fabiola Cabeza de Baca in front of New Mexican schoolhouse, photographer and date unknown. Fabiola Cabeza de Baca Gilbert Photograph Collectioon, Center for the Southwest Research, University of New Mexico

Fabiola Cabeza de Baca. A Las Vegas, NM, native, this teacher and writer elevated both the art and science of homemaking from the Depression forward, blending traditional practices with modern-day conveniences. Beginning in the 1950s, her expertise went global when she started home-economics programs in Central and South America for the United Nations and became a trainer for the Peace Corps. Her story is included in Home Lands.

Legendary cowgirl Fern Sawyer. Photo by Ann Bromberg, courtesy of the Palace of the Governors Photo Archives.

Legendary cowgirl Fern Sawyer. Photo by Ann Bromberg, courtesy of the Palace of the Governors Photo Archives.

Fern Sawyer. New Mexico’s best-known cowgirl spent 77 years living up to her motto: “Do all you can as fast as you can.” An inductee into the Rodeo Cowboy Hall of Fame, Cowgirl Hall of Fame and National Cutting Horse Hall of Fame, Sawyer passed away in 1993, still with her boots on, still in the saddle. Ranch Women of New Mexico includes her story.

Clara Belle Drisdale. Photo courtesy New Mexico State University Archives.

Clara Belle Drisdale. Photo courtesy New Mexico State University Archives.

Clara Belle Drisdale Williams. In 1937, she became the first African American to graduate from New Mexico State University. After a career of teaching others, she received an honorary law degree from NMSU in 1980, along with an apology for how she was treated as a student. You’ll find her story in New Mexico’s African American Legacy.

Other New Mexico women in Home Lands: Pueblo potter Maria Martinez; painter Pablita Velarde; photographer Laura Gilpin; archaeologist Bertha Dutton; santera Gloria Lopez Cordova; Santa Clara Pueblo artist Nora Naranjo Morse; and poet and playwright Joy Harjo.

The Autry drew on its extensive collections to organize the exhibit, but also purchased must-have items, including Pablita Velarde’s monumental mural, Green Corn Dance. It’s impressive even in a computer-screen’s small scale:

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Artifacts range from a 1,200-year-old Mogollon metate to a 20th-century station wagon, textiles, clothing, pottery, paintings, photographs, sculpture, books, and an art piece made of computer components by contemporary artist Marion Martinez.

To kick things off, the Museum of New Mexico Foundation is holding a $200-a-person party called Celebrate on Saturday, June 18. Put on your fancy Western wear and enjoy fine wines and creative cuisine in the Palace Courtyard. Learn more, including how to buy tickets by clicking here.

Throughout the summer, we’ll have special lectures, workshops and symposiums to further deepen your knowledge of women in the West. All these events are free and in the History Museum auditorium unless otherwise noted:

Sunday, June 12, 2 pm: Symposium on “The Journey of the African American North,” including stories from Santa Fe and Española.

Sunday, June 26, 2 pm: “Captive Women in the Slave System of the Southwest Borderland.” Lecture by James F. Brooks, president of the School for Advanced Research and prize-winning author of Captives & Cousins: Slavery, Kinship, and Community in the Southwest Borderlands.

Sunday, July 10, 2 pm: “Fabiola Cabeza de Baca and The Good Life.” Lecture by Tey Diana Rebolledo, regents professor at the University of New Mexico.

Sunday, July 17, 2 pm: “Moving Around to Settle In: Women of the Plains and Range.” Lecture by Virginia Scharff, co-curator of Home Lands and director of UNM’s Center for the Southwest.

Monday, 9 am to 4:30 pm, and Tuesday, 9 am to 12 pm: “Planting Seeds:  Home, Healing and Horticulture.” Conference in collaboration with the New Mexico Committee of the National Museum of Women in the Arts. $25.  (Details pending.)

Sunday, Aug. 7, 2-5 pm: “Homespun: Northern New Mexico Spinning and Weaving Techniques.” Members of the Española Valley Fiber Arts Center demonstrate Pueblo, Navajo and Spanish techniques in the Palace Courtyard.

Friday, Aug. 12, 6 pm: “Through Her Eyes: An American Indian Woman’s Perspective.” Lecture by Eunice Petramala, park ranger at the Sand Creek Massacre National Historic Site.

Sunday, Sept. 25, 2 pm: Symposium on “Entrepreneurship in the African American Community,” from barbers to caterers, mechanics to artists.

Home Lands is generously supported by Cam and Peter Starret, Ernst & Young, Eastman Kodak Company, the National Endowment for the Humanities, Unified Grocers, Wells Fargo, KCET and the Friends of the Autry. Local support is provided by Stanley S. and Karen Hubbard, Dr. Ezekiel and Edna Wattis Dumke Foundation, the Museum of New Mexico Foundation, the Palace Guard and the Montezuma Ball.

Mary Jane Colter’s Legacy of Southwestern Style

An 1893 portrait of Mary Jane Colter by Arthur Mathews,  one of her professors. Photo by Tom Alexander, courtesy of the Pioneer Museum, Flagstaff, and the Arizona Historical Society.

An 1893 portrait of Mary Jane Colter by Arthur Mathews, one of her professors. Photo by Tom Alexander, courtesy of the Pioneer Museum, Flagstaff, and the Arizona Historical Society.

In 1910, a young architect named Mary Jane Colter was hired by the Fred Harvey Co. and the Atchison, Topeka and Santa Fe Railway. Over the decades that followed, she created some of the most iconic buildings along the railway and at the Grand Canyon.

Today, 11 of her buildings are on the National Registry of Historic Places; five are designated National Historic Landmarks. A maverick and a visionary, she broke with European architectural tradition, blending Mission Revival, Spanish Colonial and Native American elements. She embraced the Arts & Crafts Movement’s simple but sophisticated designs and exquisite craftsmanship. She methodically researched indigenous art, architecture and building techniques. As one writer observed: “She could teach masons how to lay adobe bricks, plasterers how to mix washes, and carpenters how to fix viga joints.”

On April 1 and 2, the New Mexico History Museum joins with La Fonda on the Plaza — itself housed in a building she elevated with her interior designs — to explore Colter’s life and legacy. “A Mary Jane Colter Weekend: The Shaping of Southwest Style” is an exclusive event featuring lectures by noted experts and special dinners prepared by La Fonda’s Executive Chef Lane Warner.

Tickets start at $100 ($50 tax-deductible); $200 for the events plus an April 1 sponsor dinner ($100 tax-deductible). The Museum of New Mexico Foundation is co-hosting the event with La Fonda on the Plaza. Proceeds benefit the New Mexico History Museum. Call 505-988-1234 or log onto www.TicketsSantaFe.org for tickets. Act now: Space is limited.

Once called “the best-known unknown architect in the national parks,” Colter is nearly revered for her buildings at the Grand Canyon, including Phantom Ranch, the Watchtower, and Bright Angel Lodge, among others. In 2008, the magazine of the National Parks Conservation Association published a lovely biography of her. (Find it here.)

The Mary Jane Colter Weekend begins with a wine-and-appetizers reception at La Fonda on the Plaza, one of the most iconic buildings on the Santa Fe Plaza. Sponsor-level participants will then enjoy an exclusive dinner in La Fonda’s Santa Fe Room, an old-world setting that most distinctively captures Colter’s design aesthetic. Large terracotta tiles surround the entry door. A fireplace Colter commissioned by Arnold Ronnebeck promises to keep you warm. Elsewhere, you’ll see a beautiful latilla ceiling and paintings by Gerald Cassidy. You’ll have a chance to meet our weekend’s presenters—Arnold Berke, Stephen Fried and Barbara Felix, and hear Felix speak about what she learned of Colter during her own renovation of La Fonda. (We’ll also have a special bag of goodies for each of our sponsors, including a pair of New Mexico CulturePasses and a book of Harvey House recipes compiled by Stephen Fried.)

On April 2, all participants will take in a series of lectures, a La Fonda dinner and an Actors Studio-style discussion of Colter’s legacy led by Dr. Frances Levine, director of the museum.

“Mary Colter’s vision of the Southwest created a style that was simple and yet grand,” Levine said. “She left a magnificent legacy in regional architecture and interior design that we cherish today as much as in the past.”

South Portal of La Fonda Hotel (1925-45?), designed by Mary Jane Colter. Photo by T. Harmon Parkhurst. Palace of the Governors Photo Archives, No. 054316.

South Portal of La Fonda Hotel (1925-45?), designed by Mary Jane Colter. Photo by T. Harmon Parkhurst. Palace of the Governors Photo Archives, No. 054316.

The weekend’s speakers:

Arnold Berke, award-winning author of Mary Colter: Architect of the Southwest (Princeton Architectural Press), will bring his meticulously researched book to life, revealing Colter in the social and historical context of her time.  “By steeping her buildings in the culture, history, and landscape of the Southwest,” Berke said, “Colter both charmed American travelers and taught them about the region she loved. Her pioneering works delighted the eye and engaged the mind.”

Stephen Fried, author of Appetite for America: How Visionary Businessman Fred Harvey Built a Railroad Hospitality Empire that Civilized the Wild West, will  present the colorful Harvey House history of La Fonda on the Plaza. “The opportunity to spend a weekend exploring Mary Colter’s contributions to life in the Southwest – as design guru for the Fred Harvey Company – will be a rare treat,” Fried said. “I’m also looking forward to discussing the Harvey family women of that era who were vital supporters of Colter’s pioneering work.”

Santa Fe architect Barbara Felix, who was instrumental in the 2009 renovation of La Plazuela, La Fonda’s dining room, on “Preserving the Architectural Fabric of a Santa Fe Icon.” “Colter’s work has inspired me to be passionate about craftsmanship, the use of natural light, regional materials and the transformation of the ordinary into the magical,” Felix said.

The schedule:

Friday, April 1

6 pm: La Fonda, Welcome reception with hosted wine and light hors d’oeuvres.

7 pm: Santa Fe Room, La Fonda, Sponsor dinner

Saturday, April 2

Breakfast on own

10:30 am: NM History Museum, lecture by author Arnold Berke

Lunch on your own

2 pm: La Fonda, lecture by architect Barbara Felix

4 pm: La Fonda, lecture by Stephen Fried, author

7 pm: La Fonda, dinner and Colter discussion with Frances Levine, Arnold Berke and Stephen Fried

“This will be a wonderful weekend for anyone who has visited any of Mary Jane Colter’s extraordinary buildings or been fascinated by this profoundly talented woman who was so ahead of her time,” says Jennifer Kimball, chairman of the board of La Fonda on the Plaza. “We are so proud to be part of the Mary Jane Colter legacy and to share in the sponsorship of this vibrant weekend with the New Mexico History Museum.”

A limited number of special room rate of $109 a night is available for out-of-town guests. Call (800) 523-5002, ext. 1, or (505) 954-3500.

Al-Mutanabbi Street: Poets and Printers Respond to a Casualty of War

On March 5, 2007, a car bomb exploded on Al-Mutanabbi Street in Baghdad, Iraq, killing 30 people and wounding more than 100. Named after the famed 10th-century classical Arab poet, Al-Mutanabbi, the street was for centuries the center of Baghdad bookselling, the heart and soul of an ancient city’s literary and intellectual community. From its wreckage came the Al-Mutanabbi Street Coalition, which sent out a call to letterpress printers worldwide: Craft a visual response to the attack.

Artist Garrett Queen, London

Artist Garrett Queen, Charlottesville, Va.

The response was immediate. More than 40 printers, including three from New Mexico, enthusiastically answered that first call with a powerful edition of broadsides. Since then, the number has grown to 130. A complete set will be donated to the National Library in Baghdad. Two other sets are traveling for exhibition.

The Press at the Palace of the Governors pays homage to the effort with a new exhibition in the John Gaw Meem Community Room and with a special reading from the broadsides at 6 pm on Friday, March 4, in the History Museum auditorium.

Readers include poets Anne Valley-Fox, Lisa Gill and James Thomas Stevens, bookstore owner Dorothy Massey, poet and bookstore owner Leo Romero, and poet-publishers Janet Rodney, JB Bryan and John Brandi. Many of the readings will be translations of work by Iraqi poets. New Mexico printers who contributed to the project are Suzanne Vilmain of the Counting Coup Press, Janet Rodney of Weaselsleeves Press, and Tom Leech of the Palace Press.

The event is free. From March 4 through April 30, the Broadsides from the Al-Mutanabbi Street Project exhibition is open by appointment. Call Tom Leech at (505) 476-5096.

Artist Nadia Chalabi, London

Artist Nadia Chalabi, London

“The Al-Mutanabbi Street Coalition is not an anti-war project, nor is it a healing project,” said Beau Beausoleil, San Francisco bookseller, poet, and founder of the Al-Mutanabbi Street Coalition. The coalition feels that until we truly see what happened on this one winding street of booksellers and readers, on this one day in Baghdad, until we understand all the implications of an attack on the printed word and its writers, printers, booksellers and readers, until we see that this is our street, until then, we cannot truly move forward.”

The Arthur and Matta Jaffe Center for Book Arts at Florida Atlantic University has more information about the project on its website.

The coalition offers copies of the broadsides for sale. Proceeds benefit Doctors Without Borders, a nonprofit agency working to relieve suffering in Iraq and other troubled areas of the world.

We hope the books created will use al-Mutanabbi and its printers, writers, booksellers, and readers, as a touchstone,” Beausoleil said. “We hope that these books will make visible the literary bridge that connects us, made of words and images that move back and forth between the readers in Iraq and ourselves. These books will show the commonality of al-Mutanabbi Street with any street, anywhere, that holds a bookstore or cultural institution.”

Artist Heinz Stefan Bartkowiak, Germany

Artist Heinz Stefan Bartkowiak, Germany

Download high-resolution versions of the above images by clicking here.

Still Cooking: New Mexico’s Historic Diners, Chile Joints, and Burger Bars

Wanderlust and the love of a great green chile cheeseburger drive Cheryl Alters Jamison and her husband and cookbook-writing partner, Bill. Literally, drive them. All over the state (and, sometimes, the world).

cherylandbilljamisonOn Feb. 13, Jamison spoke to a packed crowd in the History Museum Auditorium, regaling them with tales of some of New Mexico’s oldest and most beloved family-owned restaurants. Her lecture, “Still Cooking: New Mexico’s Historic Diners, Chile Joints, and Burger Bars,” dovetailed with her work for the state Tourism Department on two fronts: A catalog of the state’s culinary treasures and another of the best green chile cheeseburgers from Lordsburg to Dulce, Portales to Gallup.

We can’t give you a chile joint-by-chile joint account of her lecture (really, you had to be there), but wanted to share a few of her highlights. To borrow Jamison’s words: “Are you ready? We’re going to hit the road.”

It’s All Greek to Us

Trust an ancient culture with a mouth-watering culinary tradition to set up shop in New Mexico. Some of the state’s oldest and most renowned eateries have been brought to us by Greek immigrants. And a few might surprise you.

Those tummy-warming breakfast burritos at Tia Sophia’s in Santa Fe? The full-blown New Mexico chile dream that is Tomasita’s? The luscious steaks at Santa Fe’s Bull Ring and Albuquerque’s Monte Carlo Steakhouse and the Western View Steakhouse and Coffee Shop?

Greek, Greek, Greek.

As she began researching her upcoming book, Tasting New Mexico: 100 Years of New Mexican Cooking (Museum of New Mexico Press, 2012), Jamison said she kept stumbling across names like Mariol and Razatos. “I thought it was interesting,” she said.

After the turn of the last century, the first Greek restaurant appeared in Albuquerque, Mecca. By 1917, the city could count seven Greek cafes, including the Court Cafe and Liberty Cafe.

StoreFrontPlazaCafeIn 1929, Jim and Spiros Ipiotis turned the Eagle Cafe (estd. 1918) on the Santa Fe Plaza into the Plaza Cafe. Dionysis (Danny) Razatos bought it in 1947, but it took until the 1980s for his sons to convince him to add Greek food to the menu. (The restaurant suffered a serious fire recently and is closed for renovations, but the Razatos brothers run the Cowden Cafe sandwich shop in the History Museum, and a relative runs the Plaza Cafe Southside in Santa Fe.)

In the 1930s, Jim Pappas, an immigrant who raised sheep and made cheese and possibly moonshine, opened Pappas Sweet Shop in Raton. Still there, its rooms boast a museum’s worth of collectibles and the intoxicating aroma of fresh-baked bread.

A veritable network of Santa Fe’s favorite dining places actually began in Albuquerque’s Atrisco neighborhood, when a young Greek widow, Sophia Mariol, opened the Central Café to support her four children – each of whom eventually opened restaurants in Santa Fe. They had Mariol’s Cafe on the site that now boasts Cafe Pasqual’s. Son Jim opened Tia Sophia’s. One day, daughter Georgia Mariol stumbled onto a little-visited restaurant called Tomasita’s, then on Hickox. (The site later became Dave’s and, still later, Dave’s Not Here, because, well, Dave left.)

Tomasita’s chile was so good that it reminded Georgia of eating in her neighbors’ kitchens in Atrisco. She bought the café by assuming the debt and, it turns out, by assuming Tomasita Leyba, the cook. She moved it to a bigger location in a then-rundown part of Santa Fe known as the railyard. These days, expect to wait up to an hour for a table, but the crowd will keep you entertained.

A Few Hidden Gems

Sometimes the best food is where you least expect it. A few of Jamison’s discoveries:

Johnnie’s Cash Store in Santa Fe. On Camino Don Miguel off of Canyon Road, Johnnie’s expects you to pay for your sundries by cash or check – and to pick up one of the self-service tamales and enjoy it at a picnic table outside. How good is it? Good enough to win accolades from the Washington Post, which wrote:

Johnnie’s mixes soup, cereal, detergent, pet food — and a few baseball trophies from his sons’ youthful triumphs — in a few aisles of low, unglamorous shelves. The main draw sits near an old-time cash register, in the spot most convenience stores reserve for endlessly spinning wieners. “TAMALES,” the hand-drawn sign on a well-worn aluminum warmer shouts out, tempting customers who have dropped by for water or gum to reconsider their restaurant reservations.

They should. Even in New Mexico, where tamales are ubiquitous — and the bar for them is as high as the elevation above sea level (7,000 feet, for anyone who’s counting) — the husk-wrapped packets of pleasure at Johnnie’s stand out as ideals.

“It’s the last of a dying breed,” Jamison said of Johnnie’s Cash Store. “If you haven’t been there, get there while Johnnie’s is still with us.”

El Paragua in Española. Started in 1958 as little more than a drive-up taco stand, El Paragua now serves fine Mexican food in an impressive and rustic stone building – once the tack rooms of a family home. (Ask to see the photo of a young Dustin Hoffman, fresh off of filming The Graduate, when he ate there.)

Leona’s Restaurante in Chimayo. All Leona Medina-Tiede intended to do was offer food to Easter pilgrims to El Santuario de Chimayo. Thirty-four years later, her restaurant is still on the small side (think outdoor picnic tables and don’t bother with a reservation) but beloved by those who appreciate succulent carne adovada, hand-held burritos, posole, chile stew, frito pies, nachos and biscochitos.

Hit the Road

Besides sharing some of the more delicious portions of New Mexico’s history, Jamison’s lecture had an ulterior motive: To entice the audience (and, by extention, you, dear reader) to begin your own culinary wanderings. The Tourism Department’s web sites, linked above, are a great place to start.

Take the scenic drive to the historic Dust Bowl community of Pie Town and sample the Kathy Knapp’s pecan-oat pie at the Pie-O-Neer Cafe. (“A little slice of heaven,” Jamison said.)

Wander over to Clovis and Portales, where the Taco Box restaurants have served as the “Hometown Tacotorium” since 1969. While in Clovis, check out the Foxy Drive In and imagine the days when Buddy Holly and the Crickets took a break there.

In La Mesa, you simply must eat at Chope’s, which has, Jamison said, “the best chile rellenos in the state.”

And then there’s the hippies-meet-bikers Ancient Way Cafe in Ramah; the Laguna Superete, where your 20- minute wait will be rewarded with an extraordinary green chile cheeseburger (or a Kool-Aid Pickle. Don’t ask.); and Lucky Boy Chinese Food and Hamburgers in Albuquerque.

“Yes, you have to see it to believe it,” Jamison said of Lucky Boy. “It’s the only place in New Mexico, and I would wager anywhere, that you can get a green chile cheeseburger with an egg foo yung patty on top of it.

“My husband says it’s pretty good.”

Wanted: Your Opinion on “The Threads of Memory”

ElHiloXbtDid you take a spin through The Threads of Memory: Spain and the United States (El Hilo de la Memoria: España y los Estados Unidos)? If so, we could use your help.

With a little help from Survey Monkey, we’ve devised eight short questions that will help guide us in future exhibits and satisfy some requirements for grants and the like.

It’s fast. It’s easy. And it’s a way of doing your part for a museum we know you love. Click here to get started – and thank you from everyone who toiled away on the exhibit.

Eating Up History: New Mexico’s Classic Restaurants

Sugars72_4x5From Pappas Sweet Shop in Raton to Sparky’s in Hatch, the Bibo Bar in Cibola County to Sugar’s BBQ and Hamburgers in Dixon, New Mexico eateries have weathered tough times to tempt the palates of generations. At 2 pm on Sunday, Feb. 13, culinary explorer Cheryl Alters Jamison shares her on-the-road discoveries of places that helped define the tastiest part of our state’s heritage.

“Still Cooking: New Mexico’s Historic Diners, Chile Joints, and Burger Bars” is free with admission (Sundays free to NM residents). To jump-start your own gastro-adventure, we’ll share some special deals from some of the state’s longest-serving restaurants. Hit the highway or walk down the street to enjoy New Mexico’s home-style cooking and partake of our historic traditions.

During her 30 years in New Mexico, Jamison has eaten from border to border – while taking careful notes. She helped develop and continues to work on the New Mexico Tourism Department’s culinary trails initiatives (the Green Chile Cheeseburger Trail and the Culinary Adventures Trail).  With her husband, Bill, she’s a four-time James Beard award-winning author who has written numerous books on food and travel, including the upcoming Tasting New Mexico: 100 Years of New Mexican Cooking (Museum of New Mexico Press, 2012). Jamison teaches at the Santa Fe School of Cooking and appears as a guest instructor nationally and in France’s Dordogne region. She can discuss the finer points of smoking a turkey with Bobby Flay, show Matt Lauer how to make French toast, or argue with anyone about why New Mexican food ranks supreme among regional cooking styles.

4-culinary_Sparkys72Throughout the state’s history, New Mexicans have nurtured a love affair with their restaurants. Jamison will pull on heartstrings like the Taco Boxes in Portales and Clovis and reveal which Las Cruces restaurant is famous for its steak fingers and chicken-fried steak (served with green chile, of course). Do you know how Maria’s in Santa Fe got its start? Do you know where in Albuquerque can you get a green chile cheeseburger with egg fu yung? What differentiates New Mexico cooking styles in the north and south? Come to the lecture to find out.

Some 20 years ago, when Cheryl and Bill Jamison were writing travel guides, they took on a project that became The Rancho De Chimayó Cookbook. Turning their attention to the serious side of barbecue and grilling, they wrote The Big Book of Outdoor Cooking & Entertaining, Born to Grill, and the landmark Smoke & Spice, which has sold close to 1 million copies. The Jamisons also have played a leading role in the revival of good, robust American cooking with American Home Cooking, A Real American Breakfast, and The Border Cookbook. To write Around the World in 80 Dinners: The Ultimate Culinary Adventure, the couple cashed in 440,000 frequent-flyer miles and spent three months traveling the globe in search of great food.

JamisonMug72_1x2Jamison works as culinary consultant with the New Mexico Tourism Department and the New Mexico History Museum. She also consults on outdoor kitchen design with interior designer Barbara Templeman, through their business insideOUTsantafe. She is a board member of Cooking with Kids, one of the country’s first programs that addressed getting good food into our schools, and was a recipient of the University of Illinois’s alumni achievement award in 2007. Bill Jamison is retired from saving the world and keeps their lives in order from their home in Tesuque.

Honoring Those Who Served – and Still Serve – on the USS “New Mexico”

Gunnery personnel aboard the USS New Mexico, 1942-45? US Navy photograph, courtesy of the Palace of the Governors Photo Archives.

Gunnery personnel aboard the USS New Mexico (1942-45?). US Navy photograph, courtesy of the Palace of the Governors Photo Archives.

They were young then, boys, really. Serving aboard what was then the most technologically advanced battleship in the US fleet, they saw some of the worst of World War II – and were there for the final surrender of Japan.

On Sunday, Jan. 23, the New Mexico History Museum paid tribute to “the Queen of the Fleet,” and to the men (and, soon, women) who serve on the new USS New Mexico, now fittingly the Navy’s most technologically advanced nuclear submarine.

With the opening of A Noble Legacy: The USS New Mexico, 270-some people came to the museum to view the lobby-area installation and hear from dignitaries – among them, George Perez, commander of the submarine USS New Mexico (SSN 779).

It was a day when the most honored people in the house were men in blue caps. Some of them were balding, some were gray and some were young(ish). Military bearing was the order of the day, and the phrase, “Thank you for your service,” was heard again and again.

Ret. Chief Warrant Officer George Smith, who served on the USS New Mexico (BB 40) battleship in World War II, traveled from his home near Philadelphia to speak during the opening ceremony. He recounted with humor his efforts to become a submarine man and choked up not only himself but everyone in the auditorium with how closely he came to joining the many men who lost their lives in World War II.

“My tenure on the New Mexico was one of the finest tours I had in the Navy,” he said. “That was the white-hat Navy. When they went ashore they were neat and clean, and they weren’t in the Zumwalt uniform.”

(In the 1970s, then-Chief of Naval Operations Elmo Zumwalt attempted to encourage more enlistments by ditching the WW2-era Navy blues for a more casual look. Met with derision, it lasted only five years. Author Paul Fussell writes of the switch here.)

“There were no baseball caps worn with the bill in the back,” Smith said. “That didn’t happen. The New Mexico was a clean ship. If you were one minute late coming back from liberty, you stayed aboard for two weeks. They knew what the rules were and they followed it. I’m proud to have served two years on that ship.”

GeorgeSmithSigningPosterThe audience gave Smith a standing ovation and, after the event, clustered around him for autographs on posters of the submarine.

Cmdr. Perez, his bearing both dignified and genial, regaled the audience with details of his new ship, which is running through trials now and will join the Navy fleet in late 2012.

“She is the most powerful warship ever built in the history of the US Navy, probably second only to the BB 40 – which isn’t bad,” he said to laughter.

“We are New Mexico,” he said. “If you descended on that warship today, you would know. We are constantly working to continue to build that relationship. We prefer to have the Land of Enchantment anywhere we can get the pieces inside.”

That includes Southwestern-themed curtains that close across the crewmates’ bunks, provided to the ship by members of the Navy League Council of New Mexico, the group that lobbied for five years to have the sub named for the state.

Clearly proud of his ship, Cmdr. Perez delivered a tantalizing offer to those at the event: “Everyone here has an opportunity to get on board. Just show up and show me a New Mexico driver’s license, and you’ll get on board.”

But then, he noted, it is currently at home port in Groton, Ct., where “there’s about three or four feet of snow on the ground, so this isn’t the time to do it.”

PerezMurphyPointingToFigureAs for bringing it to our high-desert state, Perez noted, “There’s no port to pull into here. I did get offered a Lexus if I could navigate up the Rio Grande.”

(As a consolation prize to the Lexus, museum Director Dr. Frances Levine presented Cmdr. Perez and Chief of Board Eric Murphy with copies of the book Telling New Mexico: A New History and jars of History Museum red-chile sauce, prepared by the legendary Shed restaurant in Santa Fe.)

Perez and Murphy stayed after the event to speak with visitors, and Perez was clearly charmed by one particular aspect of the installation. Facing walls of a hallway are bedecked with silhouettes of the two ships at 1/20th scale. The exhibition’s graphics designer, Natalie Baca, added a last-minute detail to the SSN 779 silhouette: An image of Perez himself taken from a photograph she found on the internet and placed on the submarine to show its scale relative to people. Perez and Murphy proudly posed next to it for family photographs snapped by their wives.

FamilyModelA highlight of the installation is a scale model of BB 40 begun 30 years ago by Navy veteran and Albuquerque resident Cecil Whitson. Fellow Navy veteran Keith Liotta and the Albuquerque Scale Modelers Club added final touches after an illness stopped Whitson’s work, and all day, families with children, Navy veterans and model-building aficionados clustered around it, admiring the intricacy of Whitson’s work. Some of the most enthusiastic applause at the opening ceremony was when Levine asked the audience to extend its “collective gratitude” to Whitson.

The early plan for the installation included one of BB 40’s helms, now ensconced at the University of New Mexico and at the Montoya Building in Santa Fe.  “But they’re built into the fabric of the buildings,” Levine said, “and demolition wasn’t in our budget.”

What is included are archival and contemporary photographs of both ships and a video produced by KNME, USS New Mexico BB40: The Drinan Diary. You can catch it by clicking on the link, but the experience of seeing it on the auditorium’s big screen provided the emotional highlight of the day.

“What museums do matters,” Levine told attendees. “We give voice to people who lived in different centuries in times of peace, in times of war.”

On Sunday, we also put faces to those stories and were honored to be a place where Navy men and women could make new connections with one another. As a gift to those who continue to serve aboard USS New Mexico, we’ll close this post with a collection of photos to let them virtually attend the event. We wish them calm waters and extend an offer of our own: If you’re ever in Santa Fe, we’ll meet you at The Shed.

Collections Manager Wanda Edwards with a pre-WW2, sharkskin-handled sword.

Collections Manager Wanda Edwards with a pre-WW2, sharkskin-handled sword.

Visitors at Cecil Whitson's model of the BB 40.

Visitors at Cecil Whitson's model of the BB 40.

Cmdr. George Perez and Ret. CWO George Smith at the opening ceremony.

Cmdr. George Perez and Ret. CWO George Smith at the opening ceremony.

Former BB 40 crewmate LaVell Richins shared a scrapbook of his service, brought from his home in Utah.

Former BB 40 crewmate LaVell Richins shared a scrapbook of his service, brought from his home in Utah.

Two Navy veterans make a connection at the event.

Two Navy veterans make a connection.

Young visitors checking out parts of a 1920s era uniform worn aboard BB 40.

Young visitors check out parts of a 1920s era uniform worn aboard BB 40.

Ret. CWO George Smith pointing to the place on the BB 40 model where he was stationed during WW2.

Ret. CWO George Smith points to the place on the BB 40 model where he was stationed during WW2.

Cmdr. George Perez greeting visitors in the New Mexico History Museum lobby.

Cmdr. George Perez greets visitors in the New Mexico History Museum lobby.

Cmdr. Perez with BB 40 veterans James Kennedy (from left), George Smith and LaVell Richins.

Cmdr. Perez with BB 40 veterans James Kennedy (from left), George Smith and LaVell Richins

The Palace Elves

WandaPatrickPennieHistory Museum staffers morphed into Santa’s elves this week to doll up the 400-year-old Palace of the Governors for this Friday’s Christmas at the Palace event. (That’s Collection Manager and Registrar Wanda Edwards and NEH Project Manager Patrick Cruz workin’ the lights on a tree, at left; and their coworker, Assistant Collection Manager Pennie McBride, at right.)

Over its 26 years as an annual event, Christmas at the Palace has become a community favorite in Santa Fe and, for many families, the true kick-off to the holiday season. The event begins with Native drummers beneath the Palace Portal, offering a welcome-to-the-Palace prayer. People gather to listen (and sometimes shiver as the snow falls) while awaiting the arrival of Mr. and Mrs. Claus and their clutch of real elves. Then everyone enters the Palace (no admission fees tonight!) to wander the exhibits, listen to local performers, sample bizcochitos and hot cider, and take a turn on Santa’s knee.

On Monday, workers pulled hay bales into the Palace Courtyard in preparation for Santa’s arrival. Garlands were hung over Palace doorways, trees were decorated, and more than a few trips up and down rather tall ladders were required.

CarlaDavidOne of the favorite parts of the holiday decor is what Palace volunteers and staff think of as “Dee Johnson’s tree.” Before her untimely death, the former first lady of New Mexico gave the museum a collection of tree ornaments hand-crafted by New Mexico artisans.

“It always makes us think of her when we see them,” said Museum Director Frances Levine. “Because she was so kind to the Museum staff — and so kind to donate these ornaments.”

Made of clay, tin, wood and fabric, they include Mimbres designs, Indian pots, bells, Zia symbols, stars and and more. In perhaps a nod to former Gov. Gary Johnson, a flying pig is included. (During particularly testy negotiations with the Democratic Legislature, the Republican governor once opened a news conference by playing with a remote-controlled flying-pig toy, as if to say, “When pigs fly…”)

Dee Johnson’s tree is in what we call “The Green Room” — the room to the east of the Palace’s main entrance where the architectural history of the building is detailed.

VictorianDollOrnamentOther trees in the Palace include lovely Victorian ornaments, parrots and doves, reindeer, and a cathedral or two.

Bundle up the family and head to the Palace after work this Friday. The doors open at 5:30, but you can start gathering and enjoying your neighbors before then. Performers range from talented children to inspiring adults, including:

5:30-6 pm: Epik Artists of the Santa Fe Concert Association; music by Bach and Gounod. (The Epik Trio: Eric Illick and Sarah Rogowski, violins; Shelley Armer, viola. The Epik Chorus: Genevieve Davis, Alex Viszolay, Zoe Unverwerth, Faye Mathey, Sarah Luiz;  Ezra Shcolnick, violin; Shelley Armer, viola; Logan Luiz and Eric Illick, soloists.)

5:30-6:30 pm: Coro de Agua Fria. Traditional Christmas carols in Spanish in the Palace Courtyard.

5:30-6:30 pm: Santa Fe Talent Education Suzuki Music Center. Classical and Christmas music by youth violinists and violists. (Uttam Khalsa, Auleeyah Archuleta, Bacilio Benelalija, Naya Anllo-Valdo, Madelyn Kingston, Sarah Sze, Julia Baca, Lila Baca, Ellie Bobchak. Margaret Carpenter, teacher.)

6:40-7:30 pm: The Eclectics. A cappella carols, medieval to modern. (Meg Acton, Laura Cowan and Scott Geister.)

6:40-7:30 pm: Schola Cantorum. Santa Fe’s sacred music ensemble.

“The Threads of Memory”: A New Teaching Tool

LongViewI-VI_72_6x4With the able help of UNM professors (Rebecca Sanchez, Mercedes Valenzuela and Ron Taylor) , the History Museum is proud to announce the online addition of lesson plans to help teachers deepen students’ understanding of the exhibition The Threads of Memory: Spain and the United States. The exhibition, on loan from the General Archive of the Indies in Spain, is making its U.S. debut at the museum through Jan. 9. (It then travels to El Paso and New Orleans before heading back to Spain — making this a rare opportunity to see it.)

Why does it matter? The first known European chronicles describing the lands and native peoples of what is now the United States were written not by pilgrims but by Spanish explorers. Spain’s presence on the continent evolved over 309 years—from April 12, 1513, when Juan Ponce de León took possession of the Florida coast for the king of Spain, to 1822, when a newly independent Mexico lowered the Spanish flag in California. Created in Spain, The Threads of Memory explores a heritage that most Americans missed in their American History classes.

Many of today’s issues – immigration, land grants, cultural traditions, and complex interrelationships among cultures – can be traced to how our predecessors responded to Spain’s role in the American story. When history books too often told the American story from an east-to-west point of view, the role played by Spain faded into the background, if it was even mentioned at all.

4-EH_Washington_72_6x4Many of us were taught how important France’s aid was to achieving U.S.  independence, but far fewer know that Spain’s financial aid essentially underwrote the American Revolution.

We also know that President Thomas Jefferson purchased Louisiana from France, but we may not know that, just one month prior, Spain had ceded Louisiana to France.

The exhibition is organized in 10 sections, including the first accounts of geography; the development of missions, forts, roads and cities; land exchanges among Spain, France and the United States; the threat from Russian exploration and colonization; and the Revolutionary War. The exhibit includes details of Spain’s explorations and settlements in modern-day Florida, Louisiana, Texas, New Mexico, California and Oregon.

We encourage teachers and homeschoolers to take advantage of the opportunity to fill in the gaps.

The lesson plans are geared to a variety of age groups, encourage individual and group work and provide an early learning lesson in the importance of working with original documents.

The Threads of Memory: Spain and the United States (El Hilo de la Memoria: España y los Estados Unidos) is sponsored by the Fundación Rafael del Pino and, along with the Archivo General de Indias (General Archive of the Indies), and is co-organized with SEACEX (Sociedad Estatal para la Acción Cultural Exterior), in collaboration with Spain’s Ministries for Foreign Affairs and Cooperation and Culture. The exhibition and lecture series are presented in New Mexico with special support from BBVA Compass Bank, the city of Santa Fe, Wells Fargo Bank, Heritage Hotels, Santa Fe University of Art & Design, the Museum of New Mexico Foundation, the Palace Guard, and many individual donors.