Tag Archives: new mexico history museum

Volunteers: The Hands that Make Us Stronger

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Lila-XmasThey led visitors on tours. They scanned WPA oral histories. They shelved books. They catalogued rare photographic collections. They gussied up our filing system. They served cookies.

All in all, volunteers to the New Mexico History Museum and Palace of the Governors in 2013 donated something like 5,300 hours of intelligence and hard work that helped make our institution stronger. For two comparisons:

A full-time employee puts in 1,920 regular hours a year. And, by rough estimate, the Independent Sector values those 5,300 hours of volunteer labor at $117,342.

Behind the numbers is something far more important: The names and faces, heads and hearts of people who brought us their best. That includes the museum guides who led 693 tours for 198 children and 5,634 adults. Library volunteers put in 973 hours, and Photo Archives volunteers logged another 900 hours.

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Donald Woodman Photographs Celebrate New Mexico

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4-72-Woodman_Dune

Beginning with his early years working as a research photographer at the Sacramento Peak Solar Observatory in southern New Mexico, photographer Donald Woodman honed a photographic vision first through stars and clouds and then through sandy soil, majestic peaks and his own interior life. You can experience that journey in Donald Woodman: Transformed by New Mexico, in the Mezzanine gallery through Oct. 12.

Moon from 4x5 B&WThe exhibit represents the first of a yearlong series of events celebrating all the museum has accomplished since opening in 2009. In 2011, Woodman was the first person to donate his photographs and materials to the Photo Legacy Project at the Palace of the Governors Photo Archives. Since then, numerous other contemporary photographers have added their archives, including Jack Parsons, Sam Adams, Herbert A. Lotz, and more.

Curated by Mary Anne Redding,photography chair at the Santa Fe University of Art and Design, Transformed by new Mexico includes more than a dozen examples of the Belen-based photographer’s work from the early 1970s to 1998. Among the images are ones taken at the Sacramento Peak Solar Observatory in Sunspot, NM, and intimate selections from his Therapist Series. Each one invites you to look deeply at the tones, forms and shapes; to begin to understand the relationship Woodman has with his cameras, his world, and himself as he moves quietly from behind the lens to placing himself in its focus.

Kids in doorway“In many ways,” Redding said, “Donald Woodman is one of the stereotypical free spirits who arrived in New Mexico in a VW van in the early 1970s, searching for a new life unfettered by the conservative conventions and stodginess of the East Coast, to experiment with new-found freedoms involving hallucinatory drugs and liberated sexual exploration. And yet, Woodman’s long personal aesthetic trajectory, which continues today, is uniquely his own.”

After his initial New Mexico work at Sunspot, Woodman became a personal assistant to legendary painter Agnes Martin in Galisteo. In 1985 he married artist Judy Chicago, whose paintings will be at the New Mexico Museum of Art in Local Color: Judy Chicago in New Mexico 1984-2014, opening June 6.

Images above, from top: Sand Dune with Bush — White Sands, NM, ca. 1972. Silver gelatin print, 9×12 in. Waning Moon, ca. 1970s. Archival pigment print, 5×5 in. Two Boys in a Doorway, ca. 1970. Archival pigment print, 25×20 in. All photos by Donald Woodman. Palace of the Governors Photo Archives, Photo Legacy Project.

Crazy ’bout a Sharp-Dressed Man

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BenConradInSuit-2Pinhole photography, at its heart, combines the most low-tech materials with the highest ideals of art. Nowhere can that be better seen than in Ben Conrad’s pinhole suit.

Lately, the only place to see it has been the Conservation Lab behind the museum’s administrative offices. There, Casey Mallinckrodt, an intern for the Conservation Department of the Museum of New Mexico, has painstakingly repaired cameras that consist of little more than cardboard, duct tape, electrician’s tape and glue. In 1994, Conrad used Velcro to affix 125 of the rickety cameras to a pair of Big Ben coveralls and a motorcycle helmet. Working with assistants in a darkroom, he loaded the cameras with film. His helpers covered him with a tarp and ferried him outside, where they lifted the tarp to expose the film. Quickly covering him again, they returned to the darkroom to develop the multi-eyed vision of his surroundings.

As Conrad explained the purpose in 1995: “The pinhole suit is an experiment to see what it would look like if the pores of the human skin were camera apertures. … (I) want to photograph on locations in public areas that are under surveillance, such as banks, airports, parks and grocery stores. With the pinhole suit I’m exposing myself and exposing the film. Where the 35mm is a spectator, the pinhole suit is both spectator and spectacle.”

Caroline Lajoie, designer of the exhibition, Poetics of Light: Pinhole Photography, opening April 27, has devised a way to display the suit on a mannequin surrounded by the images it took.

As basic as Conrad’s materials may have been, nothing goes on exhibit without conservators taking a serious look at them. Mallinckrodt did just that, even subjecting various parts of the suit to spectral examination, solubility tests, and Fourier-Transform Infrared Spectroscopy. Knowing the suit’s roots, her report almost reads scientifically tongue-in-cheek: “The motorcycle helmet is structurally sound. … There are areas of fine cracking in the outer layer of plastic that may be the result of impact or deterioration of the material, but these cracks do not impair use in this assembly.”

 

Sewing up History with a Box

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Upon learning of that Frances Levine, director of the New Mexico History Museum/Palace of the Governors will soon take over leadership of the Missouri History Museum in St. Louis, many of our supporters asked what she might want for a going-away present. The answer? Nothing.

At least nothing for herself. In a selfless display of generosity, Fran is asking folks who want to honor her years of accomplishment to instead consider donating money to the Museum of New Mexico Foundation’s Acquisitions Fund.

SC_Sewing_Box-72The item we’re dying to buy is this sewing box, a rare example of an 18th-century delicacy from Michoacán, Mexico, still bearing its original, hand-lacquered finish in the Chinoiserie style. As for what else makes it so special, read Fran’s description of it, along with details about how you can help her leave an even longer-lasting legacy.

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New Mexico Legislators Honor Frances Levine

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Fran-1Wednesday, February 19, 2014, found New Mexico History Museum Director Frances Levine on the floor of the state Senate, for all the right reasons. Given a seat of honor on the rostrum, she heard the reading of a certificate honoring her service to the state and wishing her well on her next adventure as president and chief executive officer of the Missouri History Museum in St. Louis.

Fran was thrilled to tears. (Literally, tears, but then our staff is fond of saying she cries at puppies.) After the certificate was read, Sens. Peter Wirth, Bill Payne and John Ryan heaped on the praise. Both Wirth and Payne called the event “bittersweet.” Happy as they are for her new position, they said, New Mexico will sorely miss her. To that end, Ryan, who happens to be married to Levine’s boss, Department of Cultural Affairs Secretary Veronica Gonzales, joked that he had heard Gonzales would not be accepting Levine’s resignation. Continue reading →

Wanted: History Buffs with Shoes Made for Walkin’

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4-72-PalaceWalkingTour2012The Historical Downtown Walking Tours led by museum-trained guides have grown into a popular pastime among locals and tourists alike. This year’s tours will run from April 14 through Oct. 11. To boost the ranks of volunteer guides, the New Mexico History Museum and Los Compadres del Palacio, a support group of the Museum of New Mexico Foundation, are inaugurating a special recruitment and training opportunity.

You could be just the person we’re looking for. Do you possess a deep love of Santa Fe and knowledge of New Mexico history? Enjoy spending time outdoors and meeting people from all over the world? This could be your perfect niche.

Learn more at a special event on Tuesday March 4. At 9:30 am in the museum’s auditorium, noted Santa Fe archaeologist Cordelia (Dedie) Thomas Snow will use historical photographs to present a history of Santa Fe’s storied downtown core. Afterward, Los Compadres will host a coffee in the Meem Community Room where you can ask all the questions you have about the program. The event is free; no reservations are required. Continue reading →

Cowboys + O’Keeffe = A Big Win for the Palace Press

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4-72PP_TomPrintingThorpCover-1When Tom Leech, director of the Palace Press, used native grama grass to create end papers for his recreation of Jack Thorp’s Songs of the Cowboys, we knew he was onto something special. Now, the University of Texas at El Paso’s Friends of the Library knows it, too. Along with Arlyn Nathan, a book designer and typography instructor at the Santa Fe University of Art and Design, Leech won UTEP’s 14th Carl Hertzog Award for Excellence in Book Design.

But that was just the start. Leech and J.B. Bryan also won an honorable mention for the design of Margaret Wood’s memoir, O’Keeffe Stories—the first time a single Press reached such heights in one year.

“It is tremendously gratifying that the judges noted the very qualities that we attempted to get into the book,” said Leech, who also picked up a 2013 Santa Fe Mayor’s Award for Excellence in the Arts. “Arlyn and I are equally thrilled for everyone else who worked on the book. Mark Lee Gardner introduced the book, and Ronald Kil created beautiful illustrations. We also included a compact disc with the songs performed by Mark Gardner and Rex Rideout. My colleague James Bourland assisted with the printing, and Priscilla Spitler did the beautiful binding.”

How fitting is it to win for Songs of the Cowboys? Consider: The Press at the Palace of the Governors was established in 1970, when the museum acquired most of the contents of the Estancia News-Herald print shop, including the platen press that printed Thorp’s original Songs of the Cowboys in 1908. Continue reading →

History Museum Director Frances Levine Takes the Santa Fe Trail … East

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4-staff_72-FranLevine-2013Dr. Frances Levine, who became director of the Palace of the Governors in 2002 and led construction of the New Mexico History Museum into a world-class institution, has been named president and CEO of the Missouri History Museum in St. Louis. She will remain at the New Mexico History Museum until March 15 and start her new job on April 15.

“Everything I have done with the help of our staff, donors and volunteers has prepared me for this next set of responsibilities and challenges,” Levine said. “It’s not a coincidence that I would be traveling to a museum that shares so much of our Mexican period and territorial period history. This new position will also introduce me to another perspective on the American story. I look forward to learning about the diverse cultures and historical experiences brought together here at the confluence of the Missouri and Mississippi rivers and made St. Louis a dynamic American city.

“New Mexico is fortunate to have a robust museum system capably administered by our Department of Cultural Affairs, Secretary Veronica Gonzales and Deputy Secretary Michael Delello, the Museum of New Mexico Board of Regents, and the support of so many donors to the Museum of New Mexico Foundation.

“I will miss red and green chile. And of course I will miss New Mexico most of all.” Continue reading →

The 2014 Brainpower & Brownbags Lecture Series … Part 1*

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4-72-Brainpower_SanFranciscoDeAsisChurchHistory Museum conoscenti mark their calendars by our monthly Brainpower& Brownbags Lecture Series. Held at noon on weekdays, they’re a casual opportunity to hear from authors and historians on a mad variety of topics. The first half of the 2014 season has been scheduled, with the first lecture this Wednesday. (Details below.)

In all, the lectures range among pinhole photography, the Taos Mutiny of 1855, New Mexico’s Civil War slave code and more. Organized by Tomas Jaehn of the museum’s Fray Angélico Chávez History Library, the lectures are free and open to the public. And yes, you can bring a lunch.

Each lecture begins at noon in the Meem Community Room; enter through the museum’s Washington Avenue doors. Seating is limited. Do like those in the know do and mark your calendars. Continue reading →

Art and Engineering in the World of Benjamin Franklin

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4-72-Lecture_AndyBarron-1What do Benjamin Franklin, a beloved children’s author, a renowned Hollywood director and a Santa Fe paper engineer have in common? Find out at 1 pm on Sunday, January 19, when Andrew Baron talks about his restoration of an 18th-century Maillardet automaton. The mechanical device (at left with Baron) was a key inspiration for Brian Selznick’s Caldecott Award-winning book, The Invention of Hugo Cabret, which led, in turn, to Martin Scorsese’s 2011 Academy Award-winning movie, Hugo.

Baron’s lecture and a showing of the film are part of the annual commemoration of Benjamin Franklin’s birthday (January 17, 1706) by the Press at the Palace of the Governors. The event, in the History Museum auditorium, is free with admission; Sundays are free to NM residents.

Automata—mechanical marvels that mimic the movements of humans and animals—were all the rage in France during Franklin’s ambassadorship there. One can easily imagine the great inventor, writer, printer and statesman visiting exhibitions populated with mechanical acrobats, musicians, mice, caterpillars, and singing birds. Continue reading →